Whether you believe that the approach is obsolete, amazing, or simply useful, the frequency divide still persists in the photography industry and has been for many years. Here’s how I used a new method that increases control over all three main categories: High, Mids, and Chimes.
Trying to break the frequency and the true methods have been used for years, it is lightweight, controversial. If you have spent any real time through the frequency separation in your finishing, then you have probably determined what you like and do not like about the method, and you probably want to remove those limits Has developed simple tasks around the techniques that you constantly encounter. To me, the opposite was a common issue, so I discussed it so that I can make it easier for me on the contrary (especially when working in a hurry under the time limit stress). So when it is arrogant to think that I have created a super useful and fresh way to separate the frequency, I will let you become a judge
Wait, What’s Frequency Separation Again?
But before that, we normally refresh ourselves when the frequency Separation. Speaking roughly, there are two different ways to differentiate the frequency:
Modify the high and low-frequency layers directly, clean the scars on the high and smoothen the color transition on the following
To paint the skin color to smooth the infection, use empty layers between high and low-frequency layers (this method assumes that you have completed your dexterity with treatment and burnt before the frequency separates is.
I use the latter method almost exclusively, I think it gives me more control in general, and since I dodge and burn my theory as a technique to prove the skin, then the frequency is different. Is the last polish that can be used only when needed
If you have read this point, but so far the frequency is not the remote idea of separation, then for many explanations and approaches about it sneak a peek at Fstoppers.
I’m a control bizarre, so what’s next?
But what about more control? A few weeks before the amortization a couple of weeks ago, I was thinking that I can control my frequency differently “painting” more accurately and quickly. After some experimentation, I decided that a decent aspect to control would be three big categories: low, mid and high. After a few minutes, I prepared a three-row masking action for Photoshop (free download link), allowing you to control the total mask control of the painting work, which separates your frequency divided into three main categories in the photo frequency. is. For a six-minute explanation, check out the video above to see how I use it occasionally. Please keep in mind, this action is hardly a master solution of all things, so use it to see if you can get results together and ultimately decide what is best to use in your workflow (if absolutely).
This action is the perfect complement to Photoshop for my Freakscape control plug-in, but you can be reprogrammed to work with any frequency separation setup already used.